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Last edited anonymously
April 30, 2008 | History

Mark Taylor-Batty

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  • Cover of: Adaptation in Contemporary Theatre: Performing Literature

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  • Cover of: Mediatized Dramaturgy: The Evolution of Plays in the Media Age

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  • Cover of: Postdramatic Theatre and Form

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  • Cover of: Authenticity in Contemporary Theatre and Performance: Make It Real

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  • Cover of: Drama and Digital Arts Cultures

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  • Cover of: Social Housing in Performance: The English Council Estate on and off Stage

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  • Cover of: Contemporary American Monologue: Performance and Politics

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  • Cover of: Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power

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  • Cover of: Theatre of Real People: Diverse Encounters at Berlin's Hebbel-Am-Ufer and Beyond

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  • Cover of: Howard Barker's Theatre: Wrestling with Catastrophe

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  • Cover of: Robert Lepage / Ex Machina: Revolutions in Theatrical Space

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  • Cover of: Political Dramaturgies and Theatre Spectatorship: Provocations for Change

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  • Cover of: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre

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  • Cover of: Ruth Maleczech at Mabou Mines: Woman's Work

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  • Cover of: Encountering Europe on British Stages: Performances, Policies and Affects Since 1990

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  • Cover of: Postdramatic Theatre and the Political

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  • Cover of: Samuel Beckett's Waiting for Godot

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  • Cover of: Theatre in the Expanded Field: Seven Approaches to Performance

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  • Cover of: Performing the Unstageable: Success, Imagination, Failure

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  • Cover of: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage

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History

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April 30, 2008 Created by an anonymous user initial import