An edition of New horizons in Schenkerian research
(2022)
New horizons in Schenkerian research
by Allen Clayton Cadwallader, Karen M. Bottge, and Oliver Schwab-Felisch
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Table of Contents
Volume 1.
Texts.
Schenker and the fundamental bass -- William Rothstein
Schenker and Sechter: a discontinuous history -- Martin Eybl
Schenker's "free forms of interruption" and the strict: toward a general theory of interruption -- Frank Samarotto
The "heilige Trapezoid" and the galant recapitulation -- L. Poundie Burstein
Chopin's Mazurka, op. 59, no. 2: a tribute to Mendelssohn? -- Carl Schachter
J.S. Bach's Fugue in B minor, BWV 869: Rameau oder Schenker? -- Eric Wen
Schenker, sonata form, and the Schubert symphonies -- David Beach
Displacement, superimposition, and dissonance in Ravel's late style -- Sigrun Heinzelmann
Motivic elaboration and chromaticism in the Andante cantabile of Mozart's Piano sonata in B♭major, K. 333 -- Roger Kamien
The reception of Heinrich Schenker's music theory in German speaking countries after 1945 -- Oliver Schwab-Felisch
Heinrich Schenker and August Halm -- Patrick Boenke
Musical justice and tonal inequality in the theory of Heinrich Schenker -- Wayne Alpern
Musicians in the age of scientific racism: the case of Heinrich Schenker -- Barry Wiener/
Edition Notes
Volume 1 is hardbound, volume 2 is a paperback volume.
Volume 2 is a collection of examples to accompany the articles in volume 1.
Includes bibliographical references and indexes.
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| September 17, 2023 | Edited by ImportBot | import existing book |
| December 9, 2022 | Created by MARC Bot | import new book |