An unusual and romantic collection of Near and Far Eastern rarities including richly embroidered royal Turkish and Albanian costumes, Indian and Persian shawls, antique prayer rugs, Oriental potteries, jewelry and jewelled weapons, ecclesiastical vestments and embroideries, furs, textiles, and many curious objects of art, with two superb imperial tents of the sultan Aga Mohammed Shah and the Shah Nasr-ed-din

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Last edited by Katharine Hadow
December 4, 2015 | History

An unusual and romantic collection of Near and Far Eastern rarities including richly embroidered royal Turkish and Albanian costumes, Indian and Persian shawls, antique prayer rugs, Oriental potteries, jewelry and jewelled weapons, ecclesiastical vestments and embroideries, furs, textiles, and many curious objects of art, with two superb imperial tents of the sultan Aga Mohammed Shah and the Shah Nasr-ed-din

  • 0 Ratings
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  • 0 Currently reading
  • 0 Have read

A catalog of near Eastern antiquities assembled for an auction in New York in 1921

Publish Date
Language
English

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Previews available in: English

Book Details


Edition Notes

Lancour, 4203.

Lugt, 82687.

Place of sale: New York.

Date of sale: Nov. 11-12, 1921.

Watson Library copy: annotated with prices.

Other Titles
Near and Far Eastern rarities.

ID Numbers

Open Library
OL25668672M
Internet Archive
unusualromanticc00ande
OCLC/WorldCat
171418383

Excerpts

THE COLLECTION OF MR. ALAISTER McKELVIE
FIRST SESSION
LOTS 1-196
ANTIQUE EGYPTIAN USHEBTI
1 CARVED WOODEN USHEBTI EGYPT, SAITE PERIOD
A female figure with the hands held high above the head. (Sold as is) Height, about 6 1/2 inches
added by Katharine Hadow.
PROBABLY REPRESENTING FATH ALI SHAH, THE KHADJAR SULTAN OF PERSIA AND HIS COURT
The painting is composed in three rows, each row with eight portraits. The upper row shows bearded men with high tiara-shaped crowns, studded with jewels. In the middle and lower row are the portraits of sixteen young pages of noble family, attached to the sovereign through the sentiment of devotion as well as by the ties of blood.....
A superficial spectator might call this painting a work in the Eurp[ean manner, medium and technique being European. Yet the entire composition is of an intense Oriental charm. No European painter of this period would have dared to represent twenty-four portraits in such a naive and primitive way, reminiscent of an almost mediaeval mentality, which gives to the painting the power of monumental unity. In spite of the modelling and shading of the heads in European style, the interpretation of the gayly patterned brocade garments, of the jewel-studded swords, daggers and armlets is conceived in purely Oriental style, and the balancing of reds and orange against bluish greens shows the great tradition of Oriental painting still alive.
This Oriental tradition, combined with the simplicity of the conception, gives to this work of a later and sophisticated period the charm of naive simplicity and architectonic greatness. To appreciate it, we have to be either entirely naive or thoroughly sophisticated.
Page 83, added by Katharine Hadow.

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