An edition of Moscow, 1937
(2012)
Moscow, 1937
by Karl Schlögel
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Subjects
Politics and government, Communist party purges, Moscow Trials, Moscow, Russia, 1936-1937, History, Stalin, joseph, 1879-1953, Moscow (russia), history, Soviet union, politics and government, 1917-1991, Soviet union, politics and government, Social conditionsPeople
Joseph Stalin (1879-1953)Places
Moscow (Russia), Soviet UnionTimes
20th century, 1936-1953Showing 1 featured edition. View all 1 editions?
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Book Details
Table of Contents
Margarita's flight : Manuscripts don't burn. A writer in 1937
Relief map of the city, locations, staging posts
Dramatis personae and their portrayal, dual characters
NKVD, the organization
"People vanished from their apartments without trace"
Sudden deaths, execution as spectacle
'That can't be!'
Aleksandr Medvedkin's New Moscow- A new cityscape: Stalin's General Plan for the Reconstruction of Moscow
Moscow as a construction site: between demolition and new construction
Moscow beyond the Ring Roads
Human landscape, struggle for survival
Snapshot of the status quo. Directories as documents of their age
Topography of power and other locations
Traces of the disappeared
Lists of people to be shot and the posthumous reconstruction of their addresses
World-historical criminal cases: the rhetoric of the first Moscow show trial
The echo of violence: how a latent civil war comes to be articulated in language
'Double-dealers'
The birth of the show trial from the spirit of lynch-law
The ideal enemy
A key scene in European intellectual history: Feuchtwanger's meeting with Stalin
The impotence of the anti-fascist movement: how to generate a point of view
The end of the flaneur: journey in the shadow of the NKVD
The phenomenology of confusion and the creation of unambiguous meaning: credo quia absurdum
Leave-taking at Belorussky Station
Moscow maps: the scene is Spain
A world in meltdown, war scare
The Soviet nation as a patriotic fighting unit
Metastases: show trial in Barcelona, the NKVD abroad
Barcelona transfer: Moscow experiences
A journey into the interior of society
6 January 1937: snapshot of an empire
Ten years after the census of 1926: balance sheet after the Great Transformation
Self-analysis, self-education, data acquisition- The shock of the missing millions
Statistics as crime
'Business-like atmosphere'
The language of expert witnesses
The topography of the Five-Year Plan
Human sacrifice, nemesis, chorus
Postscript
The New York Times: 'All Russia was Pushkin-mad today'
'Comrade Pushkin' : consecration of a classic
A feast in the time of plague: coded discourses
Platitudes of a new culture
Russian genius and Imperial rule
The shock: Sergo is dead
Escape into ritual
Suicide as a weapon
A hopeless situation and protest
Death as a group experience: speaking of death in times of mass murder
A leadership at its wits' end. The voice of panic
Testing the limits and exceeding them: the Party indicts Bukharin and Rykov
The shock: 'universal, free, secret elections'
Audit report: ungovernability and fear of chaos
Wreckers at work in the NKVD
Dissolution of the Party and the creation of a new one
Setting the machinery in motion
The exhibition trail: a journey through the map of the Soviet Union
The theme park of Twentieth Century civilization
Marginal encounters
Red Square: parade ground and place of execution
Radiofikatsia: the two faces of progress
Radio as the background noise of the new age
The sphere of feelings
Radio listeners as 'citizens of the world'
Stalin: the original soundtrack. The direction of the historical moment
Wreckers at work in the ether
The First All-Union Congress of Architects, 16-26 June 1937
Moscow as a building site
Chaos and stress
The Soviet universe as exhibition
The creation of a new style during a state of emergency
Closing speech: Frank Lloyd Wright
'The glorious beauty of young people'
'Fizkulturnik', 'Fizkulturnitsa': icons of the new age
'Stalin's tribe': Tableaux vivants in Red Square.
'Lenin in October': the Revolution corrected
The USSR as a land of film, picture palaces and stars
Mosfilm 1937: chaos in the film factory
'Volga-Volga'\': directors as conspirators, actors as spies
Terror and good entertainment ; The emergence of Soviet geologists: science and the dream of an affluent nation
Pioneers the nation does not need: geologists as enemies of the people
Vladimir Vernadsky: A patriot without fear
Excursion to the Moscow-Volga Canal: science and slave labour
After the White Sea
Baltic Sea Canal: Stalin's second arterial highway
A canal as a Gesamtkunstwerk: the aesthetics of a man-made riverscape
Dmitlag: the Gulag Archipelago at the gates of the capital. The parallel society of the camp zone
Perekovka Reforging: the laboratory of the new man
'I have seen a country that has been transformed into one great camp'
Triumphs, records: a city in a fever
Non-stop to America
The conquest of the Arctic
Twentieth-century adventures
Heroes of the age: Stalin's aviators
'There are thousands of dreamers like me'
'Bolshevik romanticism' and terror
Andre Gide: On luxury and shortages
Advertisements, window displays: objects of desire and how to present them
Dizzy with hunger
A hopeless struggle: a nation of speculators -The queue as grapevine
Open spaces, dream landscapes: cruising on the volga, holidaying on the red riviera, conspiracies in the dachas
Returning home from exile: establishing contact with the new Russia
National Bolshevism and Stalin's 'Socialism in One Country'
The world of 'former people' and 1937
A double reading: a diary with comments by the NKVD
In the diplomats' box
Conversations in the inner circle of power
The bombs come closer
Beau monde, illustrious society
Masked ball at the American Embassy
Interior with piano and nursemaid
Yezhov's salon: art and the secret police
Postscript: inventory of luxury and fashion
'Lenin in October' : the Revolution corrected
The USSR as a land of film, picture palaces and stars
Mosfilm 1937: chaos in the film factory
'Volga-Volga' : directors as conspirators, actors as spies
Terror and good entertainment
Dimitrov's diary: a record of self-destruction
Vanishing point Moscow. Biotope
Foreign comrades
Vulnerability: world communism as world conspiracy
Lists, dossiers and card indexes
'A centre of culture and rest'
'What a summer!'
The locus of public opinion
'Shanghai' : city of immigrants, city on the periphery
Ivan Likhachev, captain of industry
Factory patriotism: the factory as melting pot
'Mass criticism' or the orchestration of hatred and despair
Dzhaz (Utyosov)
Songs for the masses (Dunayevsky)
Classical music (Shostakovich)
Changing faces, changing times
Ilya Ilf and Evgeny Petrov's journey to America
Special relations: Soviet Americanism and the New Deal
The American Way of Life in 1937
Utopia as present-day reality
The birth of the Soviet Union from the spirit of songs for the masses
Moscow as an image-making machine
Homogenizing labour: purges and the unity of the Soviet nation
Looking for traces: the archaeology of the graveyard
Mass murder on the outskirts of the city
Sociology of the mass grave
Killing by quota. Order No. 00447
World war, civil war
'Lonely white saile' dreamtime, children's worlds
At the heart of Moscow: power made visible
Celebratory speeches and music between the mass murders
Ovations for the executioners. Morituri salutant
Bukharin's final plea
The show trial: exercises in dialectics
The Lubyanka: prison as a production site
Letter to Koba
A Moscow childhood in 1900
For official use only moscow as a city on the enemy map
The imaginary centre. A support for the Empire
The dome that disappeared: Russian Byzantium
Labouring away at a vacuum. Fantasies of the building of the century
Rome, New York, Moscow. The genius of Boris Iofan
War, post-war, and the end of the state of emergency
Instead of an epilogue.
Edition Notes
Translation of: Terror und Traum. Moscau 1937.
Map on lining papers.
Includes bibliographical references (p. [619]-637) and index.
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