An edition of Ŭmak yesullon (1991)

On the Art of Music

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Last edited by CPenguin
April 26, 2019 | History
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An edition of Ŭmak yesullon (1991)

On the Art of Music

by

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
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Publish Date
Publisher
Foreign Languages Publishing House
Language
English
Pages
203

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Subjects
History and criticism, Music
Places
Korea (North)

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Edition Availability
Cover of: Ŭmak yesullon
Ŭmak yesullon: 1991-yŏn 7-wŏl 17-il
1992, Chosŏn Nodongdang Chʻulpʻansa
in Korean
Cover of: On the Art of Music
On the Art of Music
1991, Foreign Languages Publishing House
in English
  • Not in Library

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Book Details

Table of Contents

1. JUCHE MUSIC. 5
1) The Age of Juche Requires a New Type of Music. 5
2) Juche Is the Lifeblood of Our Music. 20
3) Masterpieces Are Those Which Are Needed for the Revolution. 31
4) Music Must Be Popularized. 41
2. MUSICAL COMPOSITION. 49
1) Music is an Art of Melodies. 49
(1) Melodies Are Basic to Music. 49
(2) Melodies Must Be Beautiful and Restrained. 54
(3) Characteristic Melodies Sustain Musical Composition. 62
2) Stanzaic Songs Are the Basic Form of Popular Music. 71
3) Combining National Instruments with Western Instruments Is the Basic Principle of Instrumentation. 79
4) Arrangement Is Creative Work. 82
(1) Arrangement Enriches Musical Composition. 82
(2) Arranging Musical Pieces Mainly on the Basis of Melodies Is Our Own Style. 89
(3) Good Planning of Arrangement Is Essential. 94
(4) The Component Parts of Music Should Be Handled Properly. 100
(5) Accompaniment Should Be Arranged Properly. 103
5) We Should Create Music of a Variety of Genres and Forms. 106
(1) Music Should Be Varied. 106
(2) Efforts Should Be Made to Create Works of Vocal Music. 108
(3) Instrumental Works of Our Own Style Should Be Created. 114
(4) The "Sea of Blood"-Style Opera Should Be Further Developed. 120
3. PERFORMANCE. 126
1) Performance Is a Creative Art. 126
2) Performance Must Express National Sentiments and Modern Aesthetic Feelings Properly. 132
3) Individuality Must Be Stressed In Performance. 142
4) Music Must Be Performed with Ardour. 150
5) Performers Must Be Virtuosos of Creative Work. 160
6) The Conductor Is the Commander of the Musical Group. 167
4. TRAINING OF RESERVE MUSICIANS. 178
1) Strong Reserves Are Essential for the Development of Musical Art. 178
2) Specially Talented Reserve Musicians Should Be Trained on a Systematic and Scientific Basis. 187

Edition Notes

Published in
Pyongyang, DPR Korea
Other Titles
Ŭmak yesullon

ID Numbers

Open Library
OL26867965M

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Download catalog record: RDF / JSON / OPDS | Wikipedia citation
April 26, 2019 Edited by CPenguin Added an edition.
April 26, 2019 Edited by CPenguin Added new cover
April 26, 2019 Created by CPenguin Added new book.