Margaret Fisher

Margaret Fisher, born in Miami, Florida, is an American performance and media artist best known for interdisciplinary works that pair gestural choreography to experimental visual theater characterized by a cartoon aesthetic with wide-ranging cultural references. She emerged amid a 1970s Bay Area experimental performance scene that included artists such as Lynn Hershman Leeson, George Coates, Bill Irwin and Winston Tong, and co-founded the intermedia production group MA FISH CO and the alternative theater Cat's Paw Palace in Berkeley.

Since 2002, Fisher has written as an academic and independent researcher (often collaborating with her husband, composer-conductor Robert Hughes), publishing on twentieth–century performance, film, radio and poetry, including books on futurism and the music of Ezra Pound; her study, Ezra Pound's Radio Operas: The BBC Experiments, 1931–1933 (2002), received an Ezra Pound Society Book Award. She has written several books published through her and Hughes's imprimatur, Second Evening Art, including: Tempo as an Organizing Principle in the 1924 Film Ballet mécanique (2016) and The Recovery of Ezra Pound's Third Opera, Settings of Poems by Catullus and Sappho (2005). In 2012, Fisher also published her English translation of RADIA by Italian Futurist poet and playwright Pino Masnata with introduction and appendices.

Source: Wikipedia